Skip to Main Content (Press Enter)

Logo UNIMORE
  • ×
  • Home
  • Degree programmes
  • Modules
  • Jobs
  • People
  • Research Outputs
  • Academic units
  • Third Mission
  • Projects
  • Skills

UNI-FIND
Logo UNIMORE

|

UNI-FIND

unimore.it
  • ×
  • Home
  • Degree programmes
  • Modules
  • Jobs
  • People
  • Research Outputs
  • Academic units
  • Third Mission
  • Projects
  • Skills
  1. Research Outputs

“Mujer migrante y cine español: estereotipos y evolución”

Chapter
Publication Date:
2017
Short description:
“Mujer migrante y cine español: estereotipos y evolución” / Zarco, J. - In: Fronteras y migraciones en ámbito mediterráneoVenezia : Edizioni Ca' Foscari - Digital Publishing, 2017. - ISBN 978-88-6969-208-6. - pp. 147-162 [10.14277/6969-208-6/RiB-7-0]
abstract:
This paper analyzes a selection of Spanish films focusing on gender representation and the migratory experience. The analysis is performed both at micro level (representations and individual experiences) and at macro level (representations and sociocultural experiences). In the second part, the paper examine stereotype construction in contemporary Spanish film productions (1990-2012). Films included are Manuel Gutiérrez Aragón’s Cosas que dejé en La Habana (1997); Icíar Bollaín’s Flores de otro mundo (1999); Fernando Merinero’s La novia de Lázaro (2002); Fernando De Aranoa’s Princesas (2005); Pedro Pérez Rosado’s Agua con sal (2005); Isabel de Ocampo’s Evelyn (2012) and Helena Taberna’s documentary Extranjeras (2003).
Iris type:
Capitolo/Saggio
Keywords:
Cinema. Migration. Spanish cinema. Gender. Feminization of migration
List of contributors:
Zarco, Julieta
Authors of the University:
ZARCO Gloria Julieta
Handle:
https://iris.unimore.it/handle/11380/1323886
Full Text:
https://iris.unimore.it//retrieve/handle/11380/1323886/608827/ZARCO_Mujer_inmigrante%20y%20cine.pdf
Book title:
Fronteras y migraciones en ámbito mediterráneo
  • Use of cookies

Powered by VIVO | Designed by Cineca | 26.7.0.0